![]() Place one of Bandit’s precise, complicated instrumentals next to an over-singer like Louisa Johnson and you get a track with no room to breathe, forcing their less ostentatious sound into the background and allowing the song to be dominated by it’s worst element. The issue is that they keep collaborating with their contemporaries despite them never quite seeming to gel. They’re certainly the best instrumentalists working in mainstream pop at the moment their songs sound sublime and are musically so far ahead of their contemporaries that it’s almost embarrassing. I’ve historically been a bit conflicted with Clean Bandit. ![]() Let’s pretend this song is still immediately relevant to the charts, yeah? I’m way behind on my attempt to review every UK No.
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